STATUS: Friday, July 1st

The Daily Report

I’ve already blogged twice today and haven’t done my status post, but it’s not a normal day and it’s not going to be a normal workday, either. It’s the last day before we leave in the very early morning for a flight back to Nebraska for 4th of July and family time.

I’ve been looking at how my MU pledges for June shook out, and honestly, if I just take next week off, the impact is only going to be something in the neighborhood of $30. I am still going to keep to the schedule, because it’s the start of only the second month of it, but if things stand similarly in August I’m not going to sweat missing a couple of updates around WorldCon.

Things are still pretty much happening for me here. My modestly viral Medium piece has crossed 20,000 hits and over 100 recommendations by Medium users (to say nothing of shares on Twitter, Facebook, etc.) It’s popping up on forums and mailing lists, too. It’s definitely slowed down, but it’s got more momentum 5 days out than I would have expected, and while it’s hard to convert that into long-term income, it has garnered a few new patrons, a few notable tips, and some interesting nods from unexpected people. I’m not going to mention anyone by name, but I am going to write it down, because my work is an experiment and that’s the only difference between science and screwing around.

I also got a lovely and unexpected notice from the restaurant supply company I linked to the other week, thanking me for my blog post informing people how to best use their services. That was an unexpected lift.

Author, blogger, journalist, comic book writer, and just general all around Renaissance woman Mikki Kendall gave the parody post a big boost early on in the Twitternets, and she also gave a push to my short story for June, “Women Making Bees In Public“. That was really a great experience, because she was a big influence in my current Patreon model.

It’s actually pretty much down to a combination of her and fellow Twitter luminary and novelist, Saladin Ahmed, talking about their own plans. Saladin recently launched his Patreon as a “story of the month” model after a long struggle with a word drought. Mikki was talking about something like a story of the week model, which… okay. I’m ambitious. But I can’t do that and Tales of MU, and anyway, my interests are too scatterd for the same thing every week. But them both talking about the fact that they could do this and ways to make it pay is what both convinced me to focus my Patreon efforts a little better and helped me hit on the model I ended up on, which has a short story a month as one of its features.

That’s a digression. The point is, “Bees” is showing early signs of catching on fire. I think it’s well-positioned as a follow-up to “Infidelity”, given the underlying social dynamics it’s exploring. I think the next short story, “The Numbers Game”, will likewise slot nicely in. It is admittedly a bit more of a traditionally structured story than “Bees” is, to the point that I considered shopping it around and writing a different story for July, since I have the whole month, but it’s enough in the same vein as my recent big pictures that I feel like there’s a “Strike while the iron is hot.” kind of situation. I’d rather have “The Numbers Game” come out next week when people are looking for my next thing then months from now when eyes have moved on.

So stuff’s happening.

Financial Status

 

Pretty good right now? I need to keep growing things through July, but in good shape for the moment.

The State of the Me

Can’t complain. I acquired a stubborn splinter in my foot late yesterday and I was a little concern that it would resist removal and I’d be traveling on it, but a little strategic soaking and I was able to tease it out.

Plans For Today

I have a chapter of Tales of MU to post and two to write. I might be nervous about this, except I started writing yesterday at 3:30 and had 6,600 words by 7:00. I also don’t have to finish both chapters tonight, as I’ll have parts of the overnight and the travel day.

Tentatively Announcing: Ligature Works

Okay, so, one of the things I’ve been saying since I revitalized my writing career is that when my Patreon reaches $400 a month, I’ll start buying and publishing other people’s works on a budget of $25 a month, increasing $25 for every full $100 I’m getting above that. Call it a combination of sharing the wealth, networking with other creators, and continuing my experiments in blurring the line between self-publishing and traditional publishing.

Well, my personal Patreon is not at $400 yet, but I’ve had enough growth in that sector that last night I started thinking about my plans, and I realized it would be hard for a one or two person operation to be fielding submissions and putting together a publication every month in the first place, and with that in mind I could start putting my plan into effect on a more limited scale, like a one shot, or irregular, or quarterly publication.

So I thought about it some more, and decided to aim for quarterly, and if it doesn’t quite work out, it doesn’t quite work out. This is an experiment, so the potential failure is part of the process of creating. Anyway, if I put out one issue I’ll still have succeeded in my goals of shining a spotlight on some other creators and adding another item to my DIY resume.

One of the things that I argue against in my artist advocacy is what I call the STOP syndrome: Special Type Of Person, as in “it takes a Special Type Of Person to…” make a comic, write a novel, edit a zine, etc. Now! I do not mean to suggest that it does not take skill or effort or experience to do these things, because it does! It most certainly does! The STOP syndrome is when someone who has the talent stops short of doing some of the work (publishing, promoting, or even creating in the first place) because in their head there is some objective or external signifier that they lack.

I loved poetry as a teenager, but at some point in my early twenties I decided I “realized” I wasn’t a poet and I stopped. For more than a decade, I didn’t write any verse that wasn’t part of a story, and didn’t think that counted as real poetry. As soon as I got over that, I became a published poet and now I’ve placed in an SFPA poetry contest and been nominated for two Rhyslings.

The world is not divided into normal people and special types of people. There aren’t writers, poets, editors, and publishers on one hand and muggles and squibs on the other. There are simply people who do the work of writing, do the work of creating poetry, do the work of editing, and do the work of publishing.

My single big experience with editing and publishing so far taught me many things, including how hard this work is and how rewarding it is. I daresay it will be a bit easier for having had that experience. Not easy, but not a nightmare. Certainly something I can do. The real practical barriers to being a publisher—access to the means of production—are a lot easier to circumvent in the digital age.

So it’s my goal to help show this, and to provide one more venue where people can sell their fiction and poetry in order to hopefully help more people see themselves as poets and authors. I’m not saying that I’ll have a restriction for new talent, but I’ll certainly be looking for it.

A lot of details are still pending since I just committed to this at 2 in the morning last night on Twitter, but here’s the (tentative) skinny:

  • The name of the venue will be Ligature Works. The title will make sense when I come out with my first issue of my personal patron zine later this month. The domain ligatureworks.com has been reserved, thought here’s nothing there yet. I almost went with Ligature Quarterly but decided against committing to a name that has an implicit schedule.
  • The focus will be on material with a speculative or fantastical element, but it need not be any particular degree of “hard” SF or “high” fantasy; I’m fully open to magical realism, impossible hypotheticals (like Rachel Swirsky’s fantastic Hugo-nominated short “If You Were A Dinosaur, My Love“), and poems that reference mythic elements, such as my own “Falling: A Part“.
  • I’m a lot less prescriptivist about things like the structure of a story than many editors. I don’t look for an act structure. I don’t think a story needs to have conflict. I am dubious that it needs a beginning or a middle and I’m quite sure it doesn’t strictly require an end. It does need to have a point, and conflict/resolution models are certainly a reliable means of arriving at one. But I’m very fond of vignettes, slices of life, and enigmas. In terms of standards, mine mostly run towards readability. I’ll care much more if I can’t tell who is speaking or if there are great big walls of text for eyes to slide off of than I’ll care if the gun on the mantel ever did go off.
  • Make your story as long as it needs to be. Figuring that out is part of the craft of writing. I think most short stories need to be around 3,000 words, but there are plenty that need to be around 6,000 or 9,000 or even 12,000. If you cut something, cut it because it doesn’t add anything, not because it makes the story longer.
  • Because it’s me doing the judging, I expect there might be a slant in the material chosen towards the humorous, the clever, and the witty. Your work need not be funny to apply, but if you have something you love and you’re concerned it might be a bit silly for other venues, this would be a good place to apply.
  • Ligature Works will have open submissions for poetry and fiction, and maybe occasionally solicited non-fiction pieces. It will be a paying venue. Initial rates will likely be $25 for short fiction and $5 for poetry. I will hope to improve on that as I go. For now, my criteria is the bare minimum I myself would accept (and have accepted) for work of which I am proud and willing to sell. But this is an experiment; if I can’t attract enough short fiction submissions at below the SFWA-approved professional rates, I may simply refocus on poetry until I can afford to offer more.
  • Previously published material not accepted; previously shared with a personal subscriber list does not count as publication for this purpose. Exact details on the rights purchased will be hammered out exactly before I open for submissions officially. Everyone will know in advance what they’re getting into.
  • All submissions will be accepted as email attachments with no identifying information in the document and the attachments forward to me separately, so I can make my decisions impartially. Any relevant information insufficient to identify the individual submitter may be included in the document (e.g., if you are writing about a character who shares your disability).
  • While I don’t think anyone should settle for being paid in exposure, it can be nice if you know how to leverage it. Accordingly, I will also offer all featured authors and poets a brief consultation on how to best capitalize on the appearance of their work and promote their other endeavors around it, so that everybody involved gets the absolute most out of it.

Now!

The sensible thing to do here would be to take some time to get things in place, figure out what I’m doing, and plan an issue for the end of Q4 2016, if not some time in 2017. However, I follow the Moist von Lipwig school of thought in these things: no time to learn how to walk, must run, must fly! and move quickly, you never know what’s catching you up.

So! Submissions will officially open shortly after I return to Maryland (the week after next), with a window until September 1st, for publication at the end of September. If it is even a marginal success, we’ll repeat and improve upon the experiment for the fourth quarter.

So, when the smoke settled and the dust cleared…

…my total earnings on Patreon, between my personal Patreon and the Tales of MU one, simultaneously exists in all four categories of “things which are not too shabby”, “the most money I’ve ever made specifically on Patreon by a wide margin”, “a good start”, and “not enough in the long run”.

One of the reasons it was up in the air is that the MU one is pledges per chapter, but patrons quite sensibly have the option of capping their monthly commitment so that it doesn’t overrun their allotted budget. Patreon’s dashboard doesn’t show what an individuals limits are, and it doesn’t show how much money is pledged per entry until the end of the month when they process. So it’s only today that I’ve learned that while I have upwards of a dozen MU patrons pledging a total of about 50 per chapter, for the last several chapters of month I was making only $15 from five of them.

I’m going to have to work on bringing that number up.

Now, to be breathtakingly clear, I would much rather have people use the caps to pledge what money they can than think things like, “If I’m not supporting every chapter, it’s not worth it.” or “If I’m not paying for the whole month, I’m not a real patron.” Nope! You do what you can, because you must. I’d rather have a thousand people paying a dollar a month than one person paying a thousand dollars. There’s a lot more security the first way.

I’ve just been on tenterhooks about this because I couldn’t do much financial planning until I saw how things shook out. And how they did shake out: not as well as I’d hoped in my wildest dreams, but about what I expected? I mean, I cleared around $240 from Tales of MU patrons this month, and $200 was my most conservative estimate for what it would be.

So, definitely in the range.

As big as the growth has been, I’d be in bad shape if my current Patreon money was my only source of income, but while it’s my largest stream, it’s not my only one. Even ignoring the GoFundMe money that’s either been spent or is earmarked for specific things and the emergency grocery money, I had a good month. My ebook revenues always nosedive in the summer, but since those payout on a slow schedule I am currently reaping the benefits of a fat spring bolstered by Hugo news, and hopefully my patronage will continue to grow through the summer and fall to avoid the shock.

Now, while this has been a good month, I do have some hefty one-time expenses to pay for, so a good chunk of it is already gone this morning. But still, I’m going to start this month with more money in my account after bills are paid than any previous month for longer than I can remember.

My One Dollar Dare (Bet You I’m Worth It)

Hello, internet and all the ships at sea! If you’re reading this, then chances are good you either know who I am and what I’m about, or you’ve read my recent viral rebuttal to a terrible essay. In the first case, hi, how are you doing? Great to see you again! In the second case, let me tell you a little bit about myself, and then make you a proposition.

My name is Alexandra Erin. I’m an author. I started doing crowdfunding and micropatronage before we had the words for those things, much less the tools we have now. My life has had its ups and downs. I wrestle with severe anxiety, intermittent depression, chronic insomnia, and a mitochondrial condition that produces chronic fatigue symptoms.

I’ve always been good at writing. The real challenge of my life the last few years has been learning how to do that while other things are happening. In April and May of this year I started to really hit my stride with this, and in May I made some bold plans. June—the month of my 36th birthday—would be the month I started my year of being completely awesome.

Way back before anyone knew who I was, the few people who had heard of me were calling me the most prolific author on the net. I don’t know about “most”, but I was certainly up there, and I meant to get there again. After struggling for years to more narrowly define the focus of my work, I decided to embrace the breadth of it and think of my output as being more like a magazine: you get some humor, you get some commentary, you get some fiction, you get some poetry, you get something of everything.

So I made a checklist of the bare minimum I would produce each month (one work of satire or other humorous piece, one piece of flash fiction or poetry, some amount of commentary, one short story, and a continuation of a longer story). Some of this would be posted for public consumption, some would be reserved for my patrons, but all of it would be rounded up after the end of each month and put out as an actual zine.

I decided I would do this separately from my longest running project (Tales of MU), as that has its own established following and enough backstory (about a thousand chapters of it, and counting) to be daunting for newbies. As of this month, its funding is separate.

I’m writing this at the end of June and despite some personal upheaval and setbacks including illness, my first month has gone better than I could have expected. I’ve met or exceeded every goal I set for myself, in terms of producing work. Getting attention for it has been a bit harder, at least until I had the dubious fortune of encountering the infamous sad boner confessional piece I so recently satirized.

So here I am, with hundreds of new sets of eyes on me, setting aside my insecurity to put myself forward. Are you here because you liked something I wrote? Well, I bet you’d like other things I’ve written, and things I’m going to write in the months ahead. How much do I bet? Well, I’ll bet the time it takes me to write it all, against a a dollar. One thin dollar.

Here’s how it works: you go to my Patreon (http://www.patreon.com/AlexandraErin) and pledge as little as a dollar a month. That pledge does not get processed until the end of the month, so if you do this any time between July 1st and July 31st, you won’t even be charged. But as soon as you’re pledged? You gain immediate access to anything I post to my Patreon stream.

Now, I bet you that by the time the end of the month rolls around, you will agree that the entertainment and insight you have gained from my writing will be well worth your dollar, but if I’m wrong? Heck, you cancel your pledge, and it costs you nothing. I still wrote what I wrote, and you still read what you read, but you’re out nothing. How’s that for a fair shake?

Of course, you might not have a dollar to bet, and you know what? That’s fine, too! I don’t want you feeling like my work isn’t for you just because you can’t pay. A lot of what I put up in June was free for the public to read and so will some of what I write in July, and through successive months. There will be times when my patrons see something early that everybody else gets to read later. The entirety of Tales of MU is available to the public, and I have no mind to change that.

See, the “crowd” part of “crowdfunding” is as important as the “funding” part. You can’t have one without the other. I don’t much mind if you enjoy my work and you’re not able to pay anything. I don’t want you to feel the least little bit of shame about that. Shame is not a productive emotion, as far as motivators go. If you like my work, I want you to be proud that you read it. How proud? Proud enough to share it. Proud enough to tweet links and recommend it to your friends you think might enjoy it, too. Nothing draws a crowd like a crowd.

To my way of thinking, if one reader in a thousand is able to pay me a dollar for my work, what I need to do isn’t find the other nine hundred and ninety-nine and shake them upside down for spare change. What I need is thousands and thousands of more readers! There’s no such thing as a freeloader. Just by reading you’re giving me a little boost. If you have it in you to tell a friend, you’re giving me a bigger one.

But if you’ve got a dollar?

Pledge it.

I bet you’ll think I’m worth it.

 

Having a good couple of days here.

Well, I’ve mentioned that yesterday I lost some work, but I wound up finishing the short story that was damaged by it, and posted it as my story for June. Today I had a very similar thing happen… not the exact same error, since I was guarding against that, but another in the same family. And again I recovered and powered through and finished the short story I was working on.

So, that’s two short stories in two days. Both of them started with a single germ of an idea but were written in their entirety in a single day. The first one, “Women Making Bees In Public“, is already available to read online. The second one (working title: “The Numbers Game”) will go up next week as my short story for July, while I’m on vacation.

“Women Making Bees…” has only been read by around a hundred people so far, but I’m quite proud of it and it has already attracted some nice comments from people whose opinions I value. I am hopeful that it will find a wider audience, particularly as I believe it has the potential to resonate with many of those who enjoyed my most recent satirical post.

In addition to writing an entire 3,300 word short story from the ground up today, I also wrote a 3,300 word chapter draft for Tales of MU. I call it a draft because that’s what they are until posted, but honestly, it’s pretty well finished. I’ll take a look at it again before I turn it loose to non-patrons tomorrow, but I would be comfortable posting it as is.

I feel super good about this because Tuesday’s chapter was such a slog to write and (as is often the case when the words aren’t flowing easily) I’m not 100% confident I hit my goal for it, which was admittedly a bit esoteric and not likely to pay off soon either way.

Before I got sick the other week, I had really hoped I’d be working a week ahead on MU stuff by this point so I could be confident of a vacation posting schedule. I’m not, but at the same time… well, I can remember when being sick would scuttle weeks or even a whole month for me, and now it’s more like a hiccup. I’m sure a lot of you can remember that, too. I also remember when losing work would make it impossible for me to proceed on a project until some indeterminate point in the future, if ever. I’ve come a long way.

If I have a day tomorrow like the last two days… and I’ll mention that these days have not been free of inconvenience, interruptions both good and bad, and emotional ups and downs… but if I have a day tomorrow like the last two days, then I’ll finish it up with a couple solid chapter drafts for Tales of MU and my vacation will just mean that I’m blogging less for a week. If not… well, there will be the short story. I’ll miss the money that comes from MU chapters, but I think the schedule and my renewed work momentum will survive.

I mean, travel used to disrupt my writing, too, but I started this steamroller of a month off the day after I got back from WisCon.

STATUS: Thursday, June 30th

The Daily Report

Well, it’s been wild, but I do believe that thing I wrote the other day is winding down. It had its smallest yet overnight increase in stats, there are no new major sites/categories showing up in the referral links. In terms of dollars and cents, it brought in $150 of money I can directly link to it and increased my Patreon patronage by just north of $20 a month.

Not life-changing, but it came at a good time, and it’s still a better deal than HuffPo.

Had a bit of a setback yesterday while finishing up my short story for the month. I was writing on my tablet, using a Bluetooth keyboard that has several one-touch shortcut keys including ones that launch other apps. I don’t make a lot of typos, but one errant keypress and my tablet switched screens and dumped something like 46 minutes of progress. Frustrating.

I’ll say one thing about my current comeback as a writer: I’m a lot better at rolling with punches. Before that would have killed my creative drive for the day, and even after that I would have found it very hard to re-create the parts I’d written and lost.

As things stood, I was a bit flustered about it, especially since I was trying to constrain myself to finishing and posting it by end of day yesterday. I succeeded by dint of working an hour late, and there was some sloppy editing towards the end… something I fixed, lost, and then overlooked. It can be hard to edit your own work for things like mistakes because it’s easy to look at the page and see your intentions.

If I could do it over again, I would not have lost almost an hour’s work. But failing that, I would have slept on it and looked at it with fresh eyes before posting it today. Ah, well. At least not many people saw the version with the poorly edited ending.

I’d like to find someone to disable/remap specific keys on the keyboard to avoid this in the future. Failing that, I’ll just have to be more careful about working in Office and not Drive. I got lazy and tried working on the story in Docs because that’s what the default option was for opening a text file I downloaded from ILYS. It’s not yet second nature to me that Microsoft has pulled away from Google in the reliability of their persistent autosave.

Financial Status

Well, the much wished-for end of month has finally arrived. We did get a little lift from the “Sad Boner” piece.  Over the next few days, I’ll be getting a slightly better idea of my current circumstances, re: Patreon.

The State of the Me

A little tired today.

Plans For Today

Main thing I’m working on is Tales of MU. Also going to have to make a decision about next week, which will be based in large part on how things go today and tomorrow.

 

FICTION: Women Making Bees In Public

She sits at the wrought iron table outside the cafe. The table has six sides, the mesh on top a sturdy hexagonal lace. A cup of tea with honey cools atop a bone saucer, untouched.

She’s wearing an extremely well-fitted double-breasted houndstooth jacket of the sort I think you would call a peacoat. Dark gray leggings protrude from beneath it. Her hair is pulled back and up in a high, tight bun, presumably to keep it out of her face while she works.

Spread out on a soft piece of suede unfurled in front of her are a plethora of parts, tiny, delicate, and beautiful. Gold wire legs and antennae, fine-toothed cogs, wings made of leaf so thin you can see through it. She sews them into place once the jeweled carapace is in place using a needle so small she needs a jeweler’s loupe to thread it, then pokes at a spot where the thorax joins the abdomen to set something in motion within.

The new-minted bee starts with a shake, sets its wings to buzzing, streaks in circles beneath the umbrella overhead and zips off.

There are no chairs at her table save the one in which she sits. She has been there every time I’ve chanced to pass this way, and on the occasions such as today when it wasn’t chance at all. I have been here almost since she began, and now that she’s finished, I stand, frozen.

What to do now? Every time I’ve watched her finish before, I’ve turned and hurried away before I could see what, if anything, she would do next. Pull a book out of her handbag and start reading? Get up and leave?

Except she almost always had her tea, as she does now, untouched.

I watch her watch the bee past the point where I can no longer begin to follow where it’s gone. She then smiles to herself. I can almost hear the soft sigh of contentment she lets out. She settles back in her seat.

I want to go up to her, to tell her my name and ask hers. I want to ask her how and why and a hundred questions but above all how. I want to be her new best friend. I want to do all of this and more, but I can’t bring myself to intrude upon this elegant, solitary woman who makes bees on a coffee shop patio.

Not without some sign, some small sign, that she would be receptive…

Too late, I realize that she’s looking around and that the sweep of her eyes are on a collision course with mine. Her smile broadens and she says, “Hello.”

It is probably a mistake to judge someone’s voice based on two syllables projected across a distance in the open air, and had it transpired that her voice was anything other than everything I’d hoped it to be, I wouldn’t have. But it is confident, clear. It drips with charm.

My hands look for something to do, and wind up pulling both my newsie-style hat and my scarf off and mopping my very not-sweaty face. I realize I’m basically hiding behind them and force my errant extremities to my side, then approach her, hat literally in hand.

“Hi,” I say. “Do you mind if I talk to you?”

“Oh, I don’t mind much,” she says. She reaches for her tea. “I find it doesn’t often help if I do.”

“Oh,” I say. I don’t mean for my face to fall, but I can feel it. I turn away, hopefully before it has a chance to ruin her day. “Sorry to bother you.”

“Excuse me,” she says, “but I do find I would like some company, and I suspect yours will do. Please.”

I turn around.

“Are you serious?” I say.

“Too frequently. Please pull up a chair. Oh! Only, if you intend to have anything to drink, please do order it beforehand. I can’t abide an empty chair at my table. Too many people in this world take it as an invitation.”

“Seriously, if I’m being a bother…”

She slaps one delicate hand on the table. Most of the motion is in her wrist, so it makes a satisfying slapping sound without actually upsetting anything.

“I will tell you what is a bother!” she says. Her wide nostrils flare are her dark eyes flash. “It is that the people in this life who are the least bother are the ones most worried about being one, while those who are the least likely to be extended an invitation are also those least likely to wait for one! Please! Get yourself something to drink and then pull a chair over. If you will not, I shall be very disappointed.”

Well, if there is any prospect in this world that fill me with more streams of hot and cold running anxiety than being a bother, it is the prospect of being a disappointment. I take a moment to throw my scarf over my shoulders and replace my cap, then head into the coffee shop.

As many times as I walk by this place, I have never been inside before. I wouldn’t have any reason to notice it if not for her, and that made it feel like the whole place was her territory, or at least, not mine.

No one is waiting for service when I enter, so I study the board and try to find something I can order without embarrassment. I have always loved the smell of freshly-roasted coffee, which I have regarded as one of nature’s most insidious traps ever since the first time I actually tasted it. Tea is a bit more manageable, but I’m too aware that everyone has opinions about how it should be prepared, taken, and drunk to attempt it in public.

I settle on hot chocolate, though. Coffeehouse hot chocolate isn’t quite the same as homemade on a stove, but frothy steamed milk and syrup is not dehydrated powder and microwaved water, either.

I step forward and give my best attempt at a smile.

“What can I make you?” the barista asks. She has a round, pleasant face with a sparkly stud in her nose and short, spiky hair.

“One hot chocolate, please.”

She rings me up, and I pay, then she turns to start heating the milk.

“Oh!” she says “Forgot to ask: whipped cream and sprinkles?”

The question starts a war within me. On the one hand, if I do not dress my chocolate up then anyone looking at it might suspect I am being very properly adult. On the other hand, whipped cream and sprinkles. Boldness or some approximation thereof has already served me well once so far today, though.

“Yes, please,” I say.

“Pardon?”

“Yes, please,” I say a little louder.

A man standing very close behind me, as if drawn by my worries of projecting maturity, says in a carrying voice, “What are you, twelve years old? This is a coffee shop, not an ice cream stand. Whipped cream and sprinkles!”

“I don’t actually care for coffee, thank you,” I say, still in interacting-with-customer-service mode.

He’s a little less than a head taller than me, compactly built but wide across the shoulders. His arms seem long to me. That’s the first thing I notice on most guys: their reach. I wouldn’t care to say why. He wears a blazer with patches on the elbows and a smell like bananas clings to him. I suspect the electric pipe in his breast pocket has something to do with that.

“You’ve probably never had good coffee, then,” he says. “You know, coffee is a lot like chocolate: people think it needs a lot of milk and sugar and other rubbish to taste good, because they’ve only ever had stale, over-processed garbage. Did you know the coffee bean is actually a berry?”

“Is that so?” I say.

There is a smile that I have seen on the faces of other women that is both an armor against men like this and a beacon to other women. I don’t know if I really know how to make it, but I give it my best shot.

“Oh, yes! And like any other fruit, it can be very sweet. This is the only coffee shop in town that serves proper coffee, which is why it’s the only one I come to. When I saw you come in, I knew I’d never seen you before, which meant I knew you were in for a treat. I can’t stand here and let you miss out on that.”

“That’s very kind,” I say, “but I’m really trying to cut down on caffeine.”

“Then you shouldn’t order chocolate,” he says. “Carla, she’ll have…”

“I’m already making her order,” Carla says.

“Then she’ll also have…”

“You know, I’m fine ordering for myself,” I say. “I don’t want coffee. I don’t like coffee.”

“Well, you can’t stop me from ordering an extra one,” he says.

“Have at it,” I say.

“And you’re not leaving until you try it.”

“Are you going to stop me?” I say. “Physically.”

“What? I mean, I wouldn’t… but you’re not going to.”

“Well, I’m not drinking something I don’t like because you think I should, and I’m not staying here one second past when I have my drink.”

“Here you go,” Carla says, reaching across the counter with a steamy mug piled with whipped cream. “You know, I had a hunch and added a little splash of French vanilla, not so much that it tastes vanilla but just a hint? It’s how I make it for the regulars, and I think you’ll like it.”

A look passes over her face for a fraction of a second. It’s half apology and half concern. I understand. This guy is a regular. She has to be nice. She sees me, she’s here. I think she’d support me if something were to happen, beyond the drama that’s already unfolding, and probably nothing will.


Probably.

Most of the men who get in your way and won’t listen when you say no the first time will stomp off with nothing more than a few parting insults. The problem is that the ones who will do worse don’t look any different.

“That sounds lovely,” I say, giving Carla a quick nod and taking the mug with both hands. “Thank you.”

“Oh, so, you’ll let her take liberties, but my suggestion is brushed off?” the man says.

“It’s not my fault if you don’t know the difference between a nice gesture and… what you’re doing,” I say. “And you know what? I bet if I had told Carla that I don’t care for vanilla, she’d have apologized and made me a new one, not stood in my way and told me to try it anyway.”

“Okay, but there’s still no reason you can’t try the coffee,” he says.

“I don’t need a reason!” I say. “Are you going to get out of my way?”

“You don’t have to be so rude!” he says.

“Are you going to keep me here?”

“I shouldn’t have to!”

“You don’t have to!” I say. “No one’s making you!”

“Hey!” Carla says. Her voice cracks when she raises it. “You have to go now.”

“What?” the man says. He rounds on her, and I see the naked fury on his face. I flinch, shrink back within myself, when his arms come up. “What the fuck, Carla?”

“You are… causing a disturbance,” she says. “It’s upsetting people.”

He looks around.

“There’s no one here but me!” he says.

“Her,” Carla says. “And me. Get out.”

“Fine, just get me my coffee.”

“GET OUT!” Carla screams.

He looks back and forth between us. The look on his face says that something very wrong has happened, that he can’t quite make it add up, and then he leaves, stomping out and slamming the door.

“Sorry,” I say to Carla.

“It’s okay,” she says.

“Are you going to be in trouble?”

“Maybe, maybe not,” she says. “There have been complaints about him before. The owner says he hasn’t hurt anyone, though? He’s an artist.”

“Yeah,” I say. “Thank you. For the vanilla.”

“Yeah.”

We exchange another set of nods and then I head outside. The woman who makes the bees has put away her tools and out a sketchpad, and she’s now bent over it, drawing anatomical sections of insects in what I think is charcoal. They look more like ants than bees.

I watch her from what I hope is a respectful distance, wondering if I’ve missed my window.

“I’ve been thinking,” she says, “about branching out.” She blows on the paper, then looks up at me. “Well, put that down and get yourself a chair.”

I do so, and she resumes working and talking.

“I thought I heard shouting,” she says. “Are you alright?”

“I… yeah,” I say. “It was just a man.”

“I told you about empty chairs,” she says. “Well, one day a man dragged a chair over while I was working. He sat down next to me, and made sure that I knew he knew many interesting facts about entomology. I told him that I was working and he said that was okay, he didn’t mind. I told him that if he distracted me, I might make a mistake. He laughed and said I was a big girl.”

“That’s awful,” I say.

“He asked me to make him something, so I did,” she says.

“What was it?”

“A yellowjacket,” she says. “I told him it wouldn’t sting him if he didn’t make it mad, but he didn’t listen. He called me an unkind name and left.”

“What happened?”

“It got mad,” I say.

“Do you do this every day?” I ask her.

“The sketching?”

“Making bees,” I say.

“Weather allowing,” she says. “I think I’ve seen you watching me before.”

I lower my head.

“I don’t mean to stare or anything, it’s just fascinating,” I say.

“It is,” she agrees. “And impressive.”

“Yes. Why do you do it?”

“Well, someone has to,” she says. “Otherwise we’re liable to run out.”

“How does it work?”

“Oh, there are many aspects,” she says. “Little tricks. I’ve learned them over the years.”

“And you just let them go?”

“Bees have their own lives,” she says. “That’s what makes them bees. I mean, not what makes them bees in particular. But having a life is what makes my bees be bees, and not trinkets or toys.”

“That’s interesting, because I thought bees lived in hives.”

“Everyone’s got to live somewhere,” she says.

“I mean, I thought they were colony creatures.”

“I live in an apartment. I still have my life,” she says. “There are solitary bees, but even in a shared hive, every bee is still its own bee. It still does what it wants.”

“Isn’t that just chaos?”

“What are you doing right now?”

“I… what? Nothing. I mean, I don’t…”

“Are you doing what you want?”

“You mean, with my life?”

“I mean right now.”

“I guess?” I say.

“Is it chaos?”

“Sometimes,” I say. I’m seeing the man in the coffee shop, in my head. He had been doing what he wanted, at least as far as he could without my involvement.

“You’re not running rampant, though,” she says. “You’re not tearing things down or burning things up. You go through life and I bet mostly what you want to do is to get along, right? You want to be comfortable. You want to feel good. You don’t want to be alone.”

“I guess,” I say.

“And that’s your nature, just as it’s a bee’s nature,” she says. “Do you know that honeybees can control the temperature in their hives?”

“I’ve heard they do things like gather together and vibrate to make friction,” I say. “To heat the hive. And that they can use wings for air circulation, like fans.”

“Oh, yes, but it gets subtler than that. There are special bees with higher core temperatures and they can move around and regulate the temperature within themselves to change the temperature of the hive. They control how the brood develops, you know. One degree change in any direction  in a developing pupa and you get a different sort of bee. Do you know how they decide, the heater bees?”

“I’ve always thought the queen directs the hive, somehow.”

“Most people do,” she says. “But there are no gears turning inside the hive, no wires running from the queen to the heaters or the workers or anyone else. Every bee, from the queen to the heaters, just does what it thinks best.”

“So there’s no real hive mind?”

“There is,” she says. “It emerges from the behavior of the whole. Right now, what do you think the neurons in your brain are doing?”

“…firing?” I say. Neurology is not my area.

“Each neuron, how does it know to ‘fire’ or not?”

“I guess you’d say each one is just doing what it thinks is best,” I say. “But you could say that about any cell in my body. The muscle cells in my biceps.”

“Yes.”

“But by that logic, the atoms that form the molecules in the cell are also just doing what they think is best,” I say. “And the electrons and protons and neutrons that make up the atoms, and so on.”

“Yes,” she says.

“But subatomic particles and stuff, they’re all following immutable physical laws,” I say.

“Well, aren’t you doing so, too?”

“Well, yes, I can’t decide to ignore the laws of physics,” I say. “But I can decide to turn left or right. I can decide to take the short way home after work, or the long way that goes past the sidewalk cafe.”

“I am not a particle physicist,” she says, “but it is my understanding that they deal in probabilities, that the motion of particles is predictable within large groups over time rather than individual particles in the moment.”

“That sounds right,” I say.

“It’s true of people,” she says. “A social scientist couldn’t predict what you or I would do in a given situation, or even model it properly, but gather enough people together and they can begin to form predictions and determine laws. And if it’s true of people, it’s likely true of bees. And I daresay it’s likely to be true of cells of your body.”

“But if I have consciousness and I’m consciously making decisions,” I say, “and those decisions determine what the neurons in my brain are doing, and the neurons are made out of atoms… there can’t be consciousness in the atoms, or the neurons, can there? I mean, there’s a me that’s making decisions and everything else follows suit.”

“But isn’t the collective action of the neurons the same as you making the decision?” she says. “And isn’t the collective motion of the particles that make up the neurons the same as their action? Or do you imagine a ‘you’ separate from all of those that gives the smallest particles their marching orders and it just goes up the chain from there?”

“I dated a guy once who told me that quantum uncertainty proved free will,” I say. “He said without it the universe would be deterministic, but since it existed, we obviously had free will.”

“I’m not sure I follow how something maybe being random is the same as having free will,” she says.

“Well, we were talking about it in the context of, if you could rewind time and let events play out again, would you do the same thing every time?” I say. “I was saying that you’d do the same thing every time, because whatever reasons you’d had for doing it the first time would still be true.”

“That is completely sensible,” she says.

“He got really mad about that,” I say. “I didn’t understand why. Still don’t. But he shouted at me that I was saying free will didn’t exist. No, actually, what he said was that I was saying he didn’t have free will. Like it was personal? He looked at me like he wanted to hit me, then pounded the wall with his fist and stomped off.”

“‘Pounded the wall with his fist’,” she says. “That is an interesting turn of phrase. In point of fact, he punched the wall, didn’t yes?”

“Well, yes,” I say. “He did. Inches from my head.”

“Scary,” she says.

“It wasn’t at the time?” I say, then I remember how I felt, and I shudder. “No, wait, it was. But it was also normal? I didn’t see him for a day or two, and then he came back, smiling and told me that he’d figured it all out. Quantum uncertainty, he said. The randomness of electrons meant that if you rewound time and let events play out over and over again, he might do a different thing each time, and that meant he might have free will.”

“Did that make sense to you?”

“No,” I say.

“I think he had it backwards,” she says. “If what you do is random, then you have no free will. If you’re doing the same thing each time, that still leaves the possibility that you’ve chosen it.”

“I kind of agree?” I say. “But…”

There’s a scrape of metal on stone at the table behind me, at the same time as a forceful exhalation of air. I twist around and crane my neck to see a man a squat man with short arms pushing back from the table and turning his chair towards ours. He’s wearing an olive drab bucket hat and a pointedly ugly gray and red sweater.

“Hold on there, ladies,” he man says. “This has been an interesting enough conversation to listen to, but now you’re talking nonsense.”

“Excuse me,” she says, “you’re interrupting her.”

“Someone has to!” he says. “Look, the essence of free will is choice, right? And if you have to do the same thing every time, that’s not a choice, and that’s not free. Wouldn’t you agree?”

“That’s an interesting point of view,” she says.

“But I asked you a question. I said, wouldn’t you agree?”

“You already know my thoughts on the subject,” she says. “If you would like to hear more of them, you’re welcome to listen.”

He shakes his head, grinning.

“Darling,” he says, “darling, that’s just not how a conversation works. There’s got to be some give and take.”

“I was not having a conversation with you,” she says.

“Well, it’s a free country, and I have free will,” he says. “And I have chosen, freely, to have a conversation with you. Are you going to respect my autonomy?”

He says this last bit triumphantly, with a gleam in his eye like he has us now. Neither of us has mentioned autonomy as a concept by name, but I have a feeling that in this moment he’s winning the last argument he created with women about how we used our time.

“We actually have somewhere we need to be,” she says. She removes the sheet from her sketchpad and carefully puts it into a pouch, then puts the pad in another pocket. “Plans. Goodbye.”

“Bullshit!” he says. He sounds personally affronted. “I’ve been sitting here since before she got here,” he says, jabbing a finger at me, “and I know for a fact the two of you have never said a word to one another before today.”

“We’re old friends,” I say, “and we really need to go.”

“Yeah? Then you know each other’s names,” he says.

“Katrina,” I say. It’s the first thing that pops into my head. “I call her Kat, but no one else does.”

“Bullshit,” the man says.

“Her parents call her Katie, but she hates that,” I say.

“And she’s Anna,” my Kat says, and just like that I am. “I call her Anna. Are you ready to go, Anna?”

“Yes, Kat,” I say, standing up. “Ready when you are.”

“Bullshit!” he screams again, getting to his feet. “Let me see some ID! If those are really your names, I’ll… I’ll…”

Kat leaps to her feet. She is tiny, and somehow seems tinier standing up than sitting down, but her eyes blaze.

“You’ll what? You’ll let us have a private conversation unblessed by your input?” she screams back at his face. “Let us leave? Let us exist in peace?”

“Don’t make me the bad guy here!” he says. “I’m not the one selling a line of bullshit and getting defensive when corrected!”

“We weren’t selling you anything,” Kat says. “You were listening.”

“It was a public conversation!” he says. “But shit, if you’re just going to be like this about it, never fucking mind!”

He kicks the chair and storms off, his progress periodically punctuated with primal screams of “fuck” and “shit”.

I watch him go to make sure that he’s really gone, and then I turn back towards Kat, who is still standing. Her eyes are closed. Her head is tilted down. She is breathing forcefully but slowly in and out of her nose. Her arms are at her side, straight down, but her hands jut out perpendicular to the ground.

I’m about to ask her if she’s okay when I notice behind her: a whole swarm of glittering mechanical bees, hovering in the air in two perfect formations; a pair of symmetrical angel wings formed of intricate hexagons.

She relaxes, unclenches her body and lets her hands go limp. Her eyes open. The wings break apart, the bees scattering into several streams that stream away in different directions.

“That was incredible,” I say, watching her watch one of them.

“I can certainly barely credit it,” she says.

“Yeah, that guy was something else.”

“No, he really wasn’t,” she says. “I was, though. I’m not usually half that brave, you know.”

“No?” I say, amazed.

“Not at all,” she says. “I’m snarky, which seems similar, but only from the outside.”

“What made this time different?”

“I think you inspired me,” she says. “You know, I’ve never actually balled my fists and yelled at a man like that before.”

“I wasn’t watching your fists,” I say.

“Yes. Well. What were they doing back there, anyway?”

“Swarming,” I say. “Flying in formation. They looked like wings. It was like they were protecting you, or like they were a part of you.”

“That’s interesting,” she says.

“You didn’t make them do that?” I ask.

“I don’t make them do anything,” she says. “I just make them.

“So they all chose to do that,” I say. “Individually.”

“They all chose to do that,” she agrees. “But you were saying?”

“Sheesh, what was I saying?” I say. “We were talking about free will, and doing the same thing over and over again.”

“You said you agree that randomness is not the same as free will,” Kat says. “Do you want to know my name, by the way?”

“…is it weird if I don’t?”

“Then call me Kat, because I don’t think you’d ever not be Anna to me,” she says. “We found those names for each other. We forged those names in fire.”

“Isn’t that a little melodramatic?”

“Compared to him?” she says, gesturing vaguely in the direction in which he’d departed.

“Fair point,” I say.

“I’m up now, I’ve put my things away,” she says. “I would like to walk, Anna. Would you like to walk with me?”

“I would,” I say.

We walk, and we talk. I have so many questions in my head about the bees, but we’re already enmeshed in a broader topic and not only am I afraid to come off as prying, I’m actually enjoying this conversation.

“So, yeah,” I say. “I basically agree that free will and randomness aren’t the same thing. I mean, if we want to really get into it, what we perceive as random might not actually be random, and it might be the levers, so to speak, by which a disembodied conscious can affect the material world. I thought about it a lot, after that conversation, but when I brought it up again, he wasn’t interested. It was like, he’d settled the matter to his satisfaction and couldn’t understand why I was still interested.”

“Do you think that’s likely?” she asks.

“No,” I say. “I think there is something more to us than the material, if only to explain what consciousness is, but I don’t believe in an external soul, and I don’t think consciousness can be explained at the quantum level. I think it’s an aggregate. What’s the word you used? You said it emerges?”

“Yes,” Kat says.

“Yes. I think consciousness is emergent,” I say. “I think it emerges from… complexity. Intricate organizations of matter, complex chains of reactions.”

“So a hive might be conscious, might have consciousness in the sense that you or I do,” she says.

“But then what about the bees?”

“What about them?”

“You say they’re all acting as individuals,” I say. “Are they not complex enough to have consciousness?”

“It’s your theory.”

“Well, I don’t know where the cut-off is,” I say. “But I’m pretty sure my individual neurons don’t have consciousness.”

“Why not?”

“Because I know that I do,” I say. “Cogito ergo sum. If I know nothing else in this universe, and I probably don’t, then I know that I am. And if I’m conscious, then my cells aren’t.”

“How does that follow?” she says. “You know that you have consciousness, but this doesn’t mean that I don’t, or a hive doesn’t. Why should it have any implications for your neurons?”

“Well, you’re not part of me. My neurons are. If I’m conscious, that means that what I say goes, right?”

“You’re equating consciousness with free will now,” she says. “Is it necessarily true that the two coexist?”

“What’s the point of consciousness without it?” I ask. “If it’s all just one domino knocking over the other into infinity, why is there anyone to watch it?”

“If you could set up an infinite number of dominoes, wouldn’t you want someone to watch them tipping over?”

“But there’s no real ‘me’ if I’m not deciding anything,” I say.

“I can credit that,” Kat says. “But why does that mean there can’t be a ‘me’ for each of your individual neurons?”

“Because they might decide different things than I do,” I say.

“Does your body always do everything you want, exactly the way you want?”

“Oh, hell, no!” I say.

“If the heaters didn’t do what the hive wanted, if the workers didn’t do what the hive wanted, if any appreciable number of the bees within a hive did not do what the hive wanted, the hive would die,” Kat says. “Yet, they’re acting as individuals. These are not contradictions.”

“Then who is really making the decision, the emergent consciousness of the hive or the individual consciousnesses of the bees?”

“Why does it have to be one or the other? Why can’t it be both?”

“Because… because… if the bees are making the decision, then the hive isn’t, and if the hive is making the decision, then the bees aren’t.”

“Why, though?”

“Because either way, one of them is bound by the decision of the other,” I say.

“Except that a bee can act against the hive’s decision,” she says. “And it’s possible, albeit unlikely, that so many will do so that in practical terms, the hive is deciding against the bees’ actions. But even if that never happened, if the decisions are being made at the same time, how can one be said to cause the other?”

I don’t have an answer for that. After a few moments, Kat goes on.

“Think about the rewind scenario,” she says. “No matter how many times a moment is replayed, you’d make the same decision. You know you would. It’s still your choice in every moment, but because it’s your choice you’d make it the same way each time, every time.”

“That’s pessimistic,” a man who had been passing by said. He looped back around and fell in beside us. He’s a scrawny guy, with long, limber arms and a well-trimmed beard covering his whole face. I find my eyes drawn to the abrasions on his knuckles. I get them a lot from running my hands into the sides of doorways and walls when I’m walking. I tell myself his could be from that, too. “You don’t think people would learn from their mistakes?”

“Oh, in the scenario under discussion, there’s no learning involved,” Kat says. “Imagine time flowing backwards, moments unraveling, until you come to the decision point once more. Everything then is as it was the first time through. You know nothing more. Nothing is different in any respect. All the factors that led you to make the decision the first time are in play exactly as before.”

“What if I made the decision on a whim the first time?”

“Then that whim and everything that went into it is in your head the second time,” she says.

“I think I’d figure out a way to send a message back,” he says. “I’d fight to remember. I’d overcome.”

“That’s nice,” Kat says.

“You know what your problem is? You’re underestimating the human spirit.”

“That’s nice,” she says.

He looks at her like she’s slapped him.

“There’s no need to be like that,” he says, and then, mercifully, he turns back around and keeps walking.

“What was I saying?” Kat says.

“You were talking about how we’d make the same choices each time, every time,” I say.

“Yes!” she says. “Only it’s stronger than that: because we only experience each moment once, we only ever do make one choice. If you have two paths laid out before you, you can never choose them both…”

We’re passing a row of houses with iron fences topped with fleurs-de-lis, like ornate little spears. An older man, arms long enough to reach around to the front of his mailbox, chimes in as we are almost past him.

“Your first mistake is accepting the choices life gives you as absolute,” he says. “If you don’t do that, you could find a way to do both, or pick a third path.”

“Yes, but in practical terms, that’s still making a single decision,” Kat says. “Which is my point.”

“You’re allowing yourself to be limited by accepting the terms presented to you,” the man says. “Me? I’m the master of my own destiny. That’s why I’m happy with my circumstances. I chose them.”

“I’m sure you are,” Kat says, and I fall a tiny bit more in love with her, just enough to tip some balance in my heart that lets me know I am in love with her, and have been in love with her, and have been falling more and more ever since the moment I dared to speak to her.

We walk faster. The man falls behind.

“You can’t be afraid to seize control of your life!” he calls after us.

“What I was saying,” Kat says, “is that you can only ever make the choice once. This means, in practical terms, that you can’t pick the other choices. But it’s still free will, isn’t it? I mean, if free will exists, it’s not negated by the fact that you’ll only ever pick one thing?”

“I guess not,” I say. “But that one thing isn’t predestined.”

“Well, I’ve never understood people who believe that predestination and free will are incompatible,” she says. “If someone could predict what you would say in a given situation with ninety-nine percent accuracy, you’d still accept that it was your choice. So why would one hundred percent accuracy change it?”

“When you put it like that, the whole thing kind of reminds me of my ex,” I say.

“I’m very sorry!”

“No, I mean, the whole idea that it was more comforting for him to imagine that his actions were random than that they were fated?” I say. “Maybe that’s where my objection is coming from. If we can imagine that time might be rewound, or if we can imagine a point of view from outside of time, with all my history laid out from end to end, then we can imagine a being might exist that can see from that viewpoint and know everything I ever choose, but that doesn’t mean they’re not still choices? It’s not really that different from looking back at something that’s happened and knowing it can’t be changed.”

“Right,” she says. “So, if you can accept that free will exists irrespective of the ability to make an unpredictable choice, couldn’t you accept that maybe there are multiple consciousnesses making decisions that affect you at multiple levels, and they’re all acting freely?”

“I’m not sure I see the connection, except that it’s too scenarios that feel like they should rule out free will,” I say. “But yeah, I guess? You know what the weird thing is, though?”

“What?”

“The more we talk about this, the less I feel like free will matters as a concept,” I say. “And the less I care about it.”

I stop and look around.

“Are you waiting for something?” Kat asks.

“I’m kind of expecting a guy to jump out of the bushes and tell me that free will is the most important thing in the universe, that without it life is meaningless, or that by giving up on free will I’m giving in to… something. The Illuminati. I don’t know.”

“We could go find a more crowded street, if you’d like,” she says.

“No, this is just about perfect,” I say. “I’m really enjoying talking with you. I mean, I can’t remember the last time I had a conversation like this.”

“About consciousness and free will?”

“A conversation where we’re just talking, not seeking anyone’s approval, or performing, or whatever,” I say.

“I don’t have a lot of conversations in general.”

“Why not?”

“I don’t have a lot of patience,” she says.

“I’m surprised,” I say. “I think it takes a lot of patience to do what you do. I mean, with the bees.”

“That’s me moving at my own pace,” she says. “The materials never try to race ahead of me, nor drag their feet. It doesn’t take patience, just control.”

“Well, it must take a lot of patience to do it in public,” I say.

“That isn’t patience,” she says. “It’s stubbornness. Do you remember the man I told you about?”

“Yes?”

“That happened the very first time I took my work to that cafe. It was a nice day, so I thought I’d work outdoors and enjoy the sun. Then that happened, and I found I had to make up my mind about whether I would let it keep me from doing so again in the future. I almost decided it wasn’t worth it to try again, but I realized I hadn’t actually enjoyed myself, or done the task I’d set out to do. So I went back the next day, and it was fine.”

“And you kept doing it?”

“Yes,” Kat says. “Every day, weather allowing. I’ll sit indoors if it’s not too bad to leave the house but not nice enough for al fresco, either. What might have been an occasional thing instead became a habit. Not to spite him, though.”

“It’s not for him,” I say. “It’s for you.”

“Yes.”

“So, you didn’t always make your bees in public?”

“No, I started at home.”

“How did you get started, anyway?”

“With cats,” she says.

Cats?”

“Yes, cats,” she says. “They’re larger, more like us, and in some ways, less complicated. From there I moved onto birds, which are smaller and winged. I thought for a time I would need to focus on less-social crawling insects before I could manage something gregarious and winged, but I found I really had a knack for it. It’s my calling.”

“You know how to make a cat?”

“Well, it’s not difficult,” she says. “I so hope you won’t ask me to make another one. I feel guilty enough, in retrospect. We don’t have anything like a shortage of cats. Bees were always the goal, for me. The cats were just a means to get there.”

“Are any of them still around? I mean, do you have any of them?”

“Oh, yes,” she says. “I think I made fewer than a dozen before I was satisfied that I had the principle down. I kept three. One is my first. She’s a bit scattered, but very dear. Very sweet, very shy. You put me in mind of her, actually, peering out from behind your hat and scarf like that.”

“I’d love to see her!” I say before I can think about what I’m doing. I clap a hand over my mouth. “Oh, sorry. I didn’t mean to presume…”

“You know, Anna, you’ve been very accommodating to my whims, but what I want most of all right now is to act my nature,” she says.

“What do you mean?”

“As the bees do,” she says. “As most things do. What did I say before? I want to be comfortable. I want to feel good. And, Anna, I don’t want to be alone.”

STATUS: Wednesday, June 29th

The Daily Report

I had some stray observations about the continuing celebrity of my latest parody piece, but they wound up escalating into a separate blog post. I will only note here that far from having run its course overnight, it appears to be picking up speed.

We’re coming up on the end of my first month of renewed MU updates and refocused Patreon activity, and I have to say I think it’s been going pretty good. I’m still tinkering with my short story for the month, but I expect to have it up under the wire. I mean, I could put it up now. It’s complete. It’s just not finished.

When it goes up, I’ll have completed my goals for the month except for the “compile everything into a zine” one, which necessarily must wait until after the end of the month. That will be an interesting experience.

Financial Status

Amidst all the other hoopla, I almost didn’t notice, but we made it! GoFundMe fully funded! Oh, and as of this morning, I guess it’s “and then some”.

The State of the Me

Doing fairly well.

Plans For Today

Focusing on my short story. The title has shifted slightly and might again before it goes up, but right now I’m working with something like “Women Who Make Bees In Public”. As my first monthly short story, I’m not yet sure if it will be public to try to capitalize on the current small spotlight I’m enjoying, or patron-only. I guess I’ll surprise myself.

Okay. So. Wow.

I thought that thing I wrote this weekend was slowing down, but it crested 10,000 views this morning. The referral notes on it and on my related blog posts are showing traffic spikes from all kinds of places. The Nashville Scene was one of the earliest outliers; they included both the original and my parody without comment in a miscellaneous link round-up. There’s apparently a thread on a ravelry board that have sent a few hundred readers. There’s a thread on metafilter.

The weirdest and most concerning was a couple of errant clicks from the most bigoted corner of the anon image boards. For a moment I was concerned that they’d found common cause with me taking potshots at a man they’d consider a “beta cuck”, but I followed it back and found that no, their take on all this is that I’m jealous of a straight white man’s “success”.

Listen, as I said on Twitter last night: I do resent the fact that his privilege allows him to get away with having such a mediocre hustle, but that’s not that all that particular to him? But in terms of success, I’m not sure what there is for me to aspire to. He wrote one thing that went viral and got picked up by Huffington Post. My most successful viral hit has still likely been read by a hundred times the audience his reached, and it paid exactly the same (i.e., nothing).

Actually, it was interesting reading that and then seeing some of the discussion on metafilter. Among the fringes, there seems to be two emerging narratives of what’s going on: I’m either a big bully established author stomping down on a plucky underdog with spirit, or he’s the established, well-respected professional and I’m a nobody scrabbling to grab his shoelaces.

Both opinions seem pretty firmly in the minority, so I’m not really worried about either wildly distorted view taking root. According to this guy’s CV, he’s had some success in the field of pointing cameras at things and convincing people to look at the footage. I’ve had some success in the field of writing things and convincing people to read the words. Trying to figure out any kind of 1:1 comparison is hard enough between two artists taking different paths through the same field, much less wildly differing paths in completely different fields.

My one piece will never reach as large an audience as the original did. That’s the nature of the beast. Its target audience is a subset of the people who read, saw, or heard about his. And only a subset. The people who read his and see a man talking about feelings and are willing to accept that this makes him honest, sensitive, and mature even when the specific feelings and circumstances reveal the opposite aren’t going to get my piece. The response is never going to have the same legs as the original. I could write a broader piece that takes down the general concept in more general terms, and it might take off, but that’s not what I felt the need to do.

I say this all not as a lament. I’m not bothered by any comparison in the numbers between one piece of mine and anybody else’s. My earnest wish is that everybody who read the original and recoiled from it would know that my response is available, but I never write anything longer than a chat post on Tumblr or a single tweet and think “I want literally everybody to see this.”

Everything I write has an audience. I don’t write anything for everybody. When I write a thing, I want for it to reach as much of its potential audience as possible, but I hate the idea of shaving bits off of something to widen its appeal.

I looked at the dude’s Patreon page a couple of times during the first day I was aware of his work. At the time, I was doing better than he is on that one metric, even before you add in my other revenue streams. I still might be. I don’t know. I’m not tracking that. A little while back when N.K. Jemisin and a few other trad-pubbed authors either made the jump to Patreon or upped their efforts in using and promoting their Patreons, I had a bunch of people in my social media inboxes trying to stir up some kind of feud by asking me if I was jealous.

It didn’t work for a variety of reasons (including the fact that these people are my peers and friends, which makes it pretty easy for me to be happy for them), but chief among them is the fact that I don’t measure my success against other people. I didn’t do it when I was the only person I knew who was using micropatronage. I see no reason to start now that it’s a legitimate phenomenon.

I will admit that the petty part of me that saw that the guy’s Patreon pitch revolves around inviting people to be part of “The First One Thousand” (i.e., his initial funding milestone is $1,000 a month) thinks it would be hilarious if I make it to a thousand before he does, but, I mean, reality check: I want to get there anyway, regardless of what he’s doing and whether it works or not; we’re not competing for the same dollars, so if I’m at a thousand I’m not making any more or less based on what he’s doing; and above all, basing a business model around spite is just not all that sustainable.

I’m sure that my takedown piece seems kind of mean, but I didn’t write it to hurt the author or spread hatred. I wrote it to provide joy and relief and mirth to the people who felt anger or pain over his writing. There have been a few times on Twitter when my frustration with his entitled cluelessness has boiled over, but ultimately, the reason I write parodies is to give people something to laugh about in the middle of a mess. That’s bringing something positive into the world.

I said on Twitter last night that everybody has a hustle, and I try to keep mine simple: I provide value in exchange for value. I’m not going to write a hit piece or hate piece for the purpose of stirring up outrage or a sense of righteousness in the reader. I can. It’s not hard for someone of my talents to do that kind of manipulation.

But it’s not very… to borrow a word from the original piece in question… worthy.

STATUS: Tuesday, June 28th

The Daily Report

Well, my Sad Boner Confessional parody seems to be my first Medium post to really go viral, in its own small way. One of my big weaknesses as a businessperson is that when something I do is successful, I find the success very distracting. I.e., I keep checking Twitter notifications and refreshing the Medium stat page. I want to chart the thing as it happens. I’m using a timer to try to control this tendency, so far not very successfully. We’ll see how things go when I start working in earnest for the day.

I’ve now had a nibble of interest from a Medium-based publication (basically, a curated list of articles with some features of a zine). I’m not 100% sure what I’m going to do about that, but it’s still flattering. I’m interested in the idea of the piece being essentially syndicated, but I’m not too keen on the venue. I feel like I’d be bringing more to them than the other way around, which I wouldn’t mind if I liked what I saw better. So I’m appreciating it as a milestone, but I don’t think I’m going to take the offer.

I’ve already gained $1 in Patreon sponsorship a month that I can directly link to the success of the parody piece, which as near as I can tell is more benefit than the original author got from his HuffPo deal. So I’ve got that going for me, which is nice.

Even more so than the piece itself circulating, I’m grateful to see the phrase “Sad Boner Confessional” catching on and resonating with people. If my contribution to The Discourse is that we have a really great phrase for identifying and instantly dismissing these masturbatory bits of drivel.

Financial Status

We had a large recurring annual expense sneak up on us this week at a moment when no one was paying attention, which made for a scary moment when Jack went grocery shopping yesterday. Really looking forward to next month, when my de facto raise from my new Patreon stuff and the Tales of MU Patreon kicks in.

I’d still really like to be able to close out my WorldCon fundraiser before the end of the month. It’s almost there, but the “almost” feels like it’s hanging over my head. http://www.gofundme.com/ae2worldcon.

State of the Me

Feeling pretty good today!

Plans For Today

It’s a Tales of MU publishing day. There’s also a chance I’ll have to run out on an errand, and I’m working to get the house in order for the sitters before we leave next week.