STATUS: Wednesday, July 13th

The Daily Report

Well, my snap decision to push ahead with my publishing plans even though my Patreon wasn’t yet at the level I’d wanted is seeming more and more like a good decision. At the rate things have been going, I’ll be at the $400 mark (the first benchmark set for my publishing venture) before the end of the month, and it’s not so hard to believe I’ll be at $500 by the end of August. If so, I’ll be coming into September right on target for my initial modest plans.

When I started restructuring and refocusing my work back in May, I was inspired by the success of several more traditionally published authors who made the jump to Patreon, as well as by others who were making plans. At the time, my small cadre of dedicated detractors tried to stir the pot by suggesting I was or should be jealous of their out-of-the-gate success. I wasn’t. These are my peers and friends, and I can be happy for them. I’m also aware that they aren’t actually just out of the gate, that they are doing and have been doing the work.

I would <em>love</em> to just instantly have thousands of dollars a month of income coming in, believe me, I would. But I know that’s not likely, and that’s part of why I laid out a year-long plan for myself to begin with. June 2016 to June 2017, age 36 to 37. My year of awesome. The plan’s not going to end next June, and I’m not going to stop being awesome next June.

On the subject of plans and their evolution: while I’m sure I couldn’t sustain a rate of an original short story a week without dropping something, I’m kind of feeling unfulfilled by the one a month, and I also have the perpetual dilemma of “Do I keep this for my patrons and possible publication elsewhere, or make it public as advertising/performance?” So I’m going to start aiming for two, one that can be locked up on Patreon and one that can be flung to the winds.

Financial Status

Feeling pretty good about where things stand right now, how things look for the rest of the month, and where I’ll start the next month if things proceed more or less apace. The con funds are now all in place for August and while that’s earmarked money, it’s nice to have some digits in my bank account and know that if something unexpected came up in the next couple months, it wouldn’t put me negative. I could cover a number of small to medium family emergencies by borrowing from myself. It’s amazing how much background anxiety this relieves.

At the same time, I feel a little bit of a “walls closing in” sensation because during most of June I had stuff coming out like *snaps fingers repeatedly in rapid succession* and so I had all this miscellaneous money coming in from it that continued through last week. But here I just came back off a week’s vacation, I’m getting in the swing of things, that’s not happening. Not a complaint! Just a reminder to myself that nothing’s gone wrong, things are just normal and it’s time to get back to work.

The State of the Me

I’m very “swingy” lately. I figured out yesterday that after my vacation detox/reset, I made a fairly classic mistake of resuming my previous doses of everything without the accumulated tolerance. In layperson’s terms, I spent the past two afternoons high as particularly high balls. I was functional Monday, less so yesterday.

I’m also physically very tired. I’ve been getting moderately into Pokemon Go… while I’ve played and enjoyed the Stadium series and I love Pokken Tournament, I never got into the core series or watched the anime, but Jack’s very into it, particularly as it came out at a time when he’s consciously being more active and getting out more. I’m very heat-susceptible, though, and prone to exercise intolerance in the best conditions, and I think even my modest efforts to “catch all of them” (as I believe the saying goes) may have been too much.

Plans For Today

My plans for today have actually changed since I started writing this post, as an external thing was canceled for external reasons. So I think I’m actually going to spend the day just doing random writing, see how many of my goals for the month I can knock out.

Interesting note about stats.

So, last week I wasn’t watching my Medium stats (a thing that pretty much consumed me the week before that) nearly as closely, because vacation. I was watching and cheering as July’s short story “The Numbers Game” crossed the 1,000 hit mark pretty early on. It both hit that mark more quickly than I expected and slowed to a trickle more quickly than I expected after that, but not by much on either count.

What I really didn’t expect is that when I got home and dived into the referral stats, I found a whole lot of nothing. Most of the incoming links are from social media (Twitter, Tumblr, Facebook) or internal to Medium. My quick search for such shares/mentions suggests this was mostly done on a personal level, with few big pushes from big names. My previous Medium hits, both the unqualified runaway viral smash and my other short story that did respectable numbers and generated some nice tips, both had some clear “turning points” where you could see them catching fire, and both had referrals showing up from unexpected places (such as Ravelry). This story didn’t have any of that.

Now, this is not a lament. I’d love it if everything I did caught fire the way “Infidelity Will Be The Death Of My Marriage” did and then some, but if everything I did had to catch fire to be worth doing, I would never do it. And also, just because something doesn’t immediately catch fire doesn’t mean it has no value over the long term. It did generate tips (immediate money) and possibly got some more patrons (though there’s more guesswork there). It did provide value for my existing readers. It’s something I can sell. And I think it forms an important part of the body of my work, along with other recent longer pieces “Infidelity” and “Women Making Bees In Public.

It’s also not a lament because I see many positive indicators here. This story did not catch fire. It did not go viral. It did not receive a strong push from any particular quarter. Yet it reached the benchmark of a thousand hits very quickly, it generated revenue. It was, by every measurement, a successful story.

So that’s a good sign. There’s an audience. There are people watching, looking for my stuff. They don’t need to be told it’s there. I can just release it with the usual fanfare and it will be read.

The other takeaway is that it’s always better to give a story a distinctive title than not. I can very easily figure out how often “Women Making Bees In Public” or “Infidelity Will Be The Death Of My Marriage” was mentioned by name on Twitter or discussed in a particularly public forum. “The Numbers Game”, not so much. The phrase crops up on Twitter several times an hour, usually in conjunction with sports.

This isn’t to say that you should never use a common phrase for a story title. My time travel short “Those Who Fail To Learn” has the perfect title for itself. I’m less happy with the title of “The Numbers Game”, though. The phrase does appear in the story and the action/conflict at the heart of it involves a phone number, but I don’t think it really describes what is happening. I suspect if I hadn’t been in a hurry to finalize it before I went on vacation, I might have come up with a better title.

I don’t think think I’m likely to change it, though, unless and until I package it to sell in a different format (like an anthology). Whatever marginal value would be created by giving it a more unique or better-fitting title would be erased by the confusion it would create.

Again, not really a lament so much as an observation: giving something a distinctive title makes it easier to track, but that should really not be your sole or main criteria when naming something. The DigiPen class that would go on to create the game Portal named their class project Narbacular Drop specifically because they could track mentions without getting false hits, but the much more popular and successful follow-up game was called Portal, a common noun that is used heavily in sf/f games and as a term of art in web architecture. Yet calling it Portal was undoubtedly the right move.

If you want to swat a fly…

…you don’t actually have to think like a fly does, as some would have it. I wouldn’t advise doing so if you could. I don’t advise trying. While animal cognition is a good deal more complex than a good deal of us like to think, I don’t put much stock in trying to think the way a fly does, particularly if your goal is to swat the sucker.

Among other problems with this proposition, I don’t believe your average fly to be particularly good at swatting flies.

If you want to swat a fly, though, what you need to do is think about how the fly sees the world.

Perceives, I should say. I mean, they do see. They have a field of vision like you wouldn’t believe, and couldn’t understand. They have other senses as well, though. Their senses of smell are quite acute. I don’t know that they hear, exactly, in the way that we do, but they can sense vibration and motion in the air. They’re highly attuned to motion in general. Some scientists believe that their ability to process motion visually is equivalent to that of a human, which is an accomplishment given the relative size and simplicity of their nervous systems in relation to ours.

We’ve been trying to swat at flies for as long as our genuses have known each other, which is significant because this means we’ve been helping flies to evolutionarily select themselves for at not being swatted for several million generations. Flies aren’t just good at processing motion, they’re excellent at detecting danger and are always, always calculating possible angles of attack and escape vectors. Peter Parker’s famous spider-sense would make a lot more sense if we were to understand that the spider that bit him had just finished feasting on a radioactive housefly.

So if you want to swat a fly, you have to understand that you’re dealing with a creature that has evolved specifically to not be swatted by you. Every instinct in its tiny little head is screaming out warnings from the moment it detects your scent. Every instinct in its head is plotting against every instinct in yours, and evolutionarily speaking, it’s no contest. If you rely on your instincts, you’ve lost.

So if you want to swat a fly, you can’t rely on instincts. You have to take what you know about it, and extrapolate from there. Its field of vision. Its sensitivity to air currents. Its knowledge of aerodynamics. Its endless internal catastrophizing and wargaming.

When I was a child, I always took a fly swatter and swung it like a lightweight hammer, like you see in cartoons. Line it up and swing for the fences. Swing for all you’re worth. That’s what we all do, isn’t it? And sometimes we get lucky. Sometimes it works. Usually, though? You might catch a mosquito or a moth that way, but a fly is nature’s perfect swat-evader.

But it doesn’t take that much force to kill a fly. You can do it with your hand, without the extra leverage afforded by the length of the swatter, if only you can catch it. The advantage of the long handle isn’t that it lets you swing hard. It’s that it lets you move in to an optimal position and come at the fly from a different angle.

A fly will always see a threat coming, always. It has a 360 degree field of vision. And from the moment it sees the threat, it’s working to counter it at lightning speed. It needs far less than a tenth of a second to detect an incoming threat and respond.

If you Google for scientific tips to kill a fly, you’ll learn that there’s a science to the fly’s initial reactions, how it adjusts its posture and jumps and takes off in response to a threat from certain angles, and if you’re coordinated enough, you can use that information to improve your odds of actually hitting the fly, by “leading” your swat to take into account its initial counter.

Of course, if you fail, it’ll be on the wing and in its element, and good luck hitting it out of the air. Oh, I know some people can do that, and I applaud them for their prowess. I can’t. I have real difficulty tracking rapidly moving objects. It’s a mitochondrial thing.

If you can’t reliably swat a fly out of the air, then your best bet isn’t to guess the fly’s initial move and try to lead your shot, it’s to hit the fly before it knows anything is happening, before it takes off, before it even tenses to jump.

It’s going to see a swat coming, but it’s not necessarily going to care about a swatter being moved near it. Do it slowly. Take care that neither your shadow nor that of the swatter falls onto the fly. Inch it into a position where a simple flick of your wrist will be enough to hit the fly, and then… do that. You might want to practice the motion a few times before you actually try it in the field. You might also have to practice the slipping into position a few times.

A caveat: while this method is really good for killing flies, they’re almost certain to evolve past it if it catches on. So, you know, enjoy it while you can. Your descendants might not be so lucky.

As for why I’m writing this post?

Well, it’s useful knowledge to have, and I’d like to share it. I do have another purpose, though.

Every once in a while someone stumbles across one of my parodies like “Infidelity Will Be The Death of My Marriage” or the Sad Puppy Book Reviews or my definitive takedown of Vox Day’s inexplicably commercialized grudgewank and says something to the effect that they don’t envy me for the time I spend getting into the heads of such malcontents and miscreants. I got some indirect feedback on my red pill horror story “The Numbers Game” that ran in that direction, too.

I just wanted to reassure all those concerned for my mental well-being that, while it I have spent a lot of effort in researching and understanding the mindsets that I riff on, critique, or otherwise write on, it’s not actually that hard on me in the sense that you might think.

Because if I want to swat a fly, I do not bother with trying to think like the fly does myself.

It is sufficient—necessary, even—to understand how the fly thinks.

All else follows naturally from that point.

STATUS: Tuesday, July 12th

The Daily Report

Well, yesterday certainly was a day. I am glad I set the bar pretty low on tasks, as my body had more ups and downs than I had expected based on how I felt when I first woke up. I achieved both the practical goals, though I did not post my MU draft until just before midnight.

This was based on my dissatisfaction with a growing pattern of the Monday drafts seeming to more often be less complete than the Thursday drafts, for reasons having to do with the calendar. The long-term cure for that is getting ahead and staying ahead, which is part of my goal for this week.

Financial Status

The temporary cashflow problem of yesterday not only ended yesterday, but I’ve now got a comfortable bit of padding. Not “able to absorb a serious emergency” padding, but “unexpected expenditures won’t result in overdraft charges” padding. It might wind up being necessary for groceries next week, but at least I have it.

The State of the Me

Very mixed, physically and emotionally, but with the balance on the positive. My body kind of feels, for lack of a better term, flux-y, right now. I’m switching gears between two different states’ allergens, two different sleep schedules, two different levels of exertion, two different sets of eating habits, two regimes regarding my supplements, etc.

Plans For Today

Well, I’m going to be posting a chapter of Tales of MU later today, but I’m also going to be trying to write the next one.

 

Monday Monster: Flame Bear

My current main D&D campaign has a theme of nature and magic running amok, so I’m always on the lookout for twisted versions of natural creatures. The flame bear is an example of such a critter, along the same lines as the somewhat iconic winter wolf (which I’ve already used): smarter, bigger, elementally-infused version of a famliar animal.

Flame Bear

Note that I’m not too worried about my players seeing these stats, as most of the monsters I use are commonly available. Also, my players tend to prefer fewer battles with more interesting foes, so I’m working on a legendary version to throw at them.

STATUS: Monday, July 11th

The Daily Report

Well, back in the saddle. Last week (being on vacation but still posting a thing each work day) was an interesting experience. It went well enough, but I feel like if I ever do something like that again I’m going to want to bring my laptop or be so far ahead that I literally have nothing to do except make a draft go live. Putting together a chapter or story from sprint segments written in ILYS is a lot trickier on a tiny mobile screen.

Last work week, I made the late-night decision to push forward with my plans for creating a venue for publishing poetry and fiction. At the time, I was thinking I’d formally announce it on my first day back. I’m now realizing that I could only pull that off if I basically spent this entire day getting things in order for that, and I don’t really want to do that. There are a lot of other things I need to work on right now. So, I’m going to set that for Friday instead.

I really wanted to have at least the mechanism and guidelines for submissions up today so people could start thinking about what they have they might want to send in and/or crafting and/or polishing a piece for it, but the more I think about it, the more I feel like submissions guidelines for a new venue that has no statement of principles or identity is putting the cart before the horse.

Financial Status

Well, we went a bit over budget on the vacation thing. Mostly due to the circumstances I mentioned in my previous post, there were a few fewer family dinners and a bit more eating out than we’d expected. I don’t really have regrets, though? I mean, I don’t know which of our experiences I’d give up for a bit more financial stability right now.

The one thing I’d change is I’d have been more assertive in telling the person who repeatedly swiped my debit card when it didn’t go through the first time that we’d just pay cash if their system was acting up. I currently have $90 in duplicate pending authorizations on my account. I’ve worked enough customer service to know that no matter who you talk to about those, the answer is that it’s someone else’s responsibility and they’ll just expire. Luckily this account does not charge overdraft fees, but I have $75 in actual otherwise spendable money that’s tied up with this nonsense.

Despite this—which Jack points out is yet another week of being affected by financial institutions and their peculiarities—I still feel like overall we’re in a better place and still getting better. I mean, we came into this month with a lot more breathing room. If next month were just going to be the same but without the vacation, we’d be in great shape. But it actually stands to be better, due to continued growth on both my personal and Tales of MU patreons, and while I do have that little “world-con” thing going on, that’s been independently funded.

The State of the Me

Since this recent trip wound up being so similar to our first family trip to Nebraska two years ago, it served as a good benchmark of how my health and fitness have generally improved. We did a lot of the same things but I’m a lot less drained. I was super tired every night when we got back to the hotel room, but not exhausted or fatigued in a long term sense, and here I am the first day of the work week after, right back in the thick of things.

Since I wasn’t working, I took the opportunity to skip most of my mood/braining supplements for a week to try to wipe out accumulated tolerance. I currently cycle between a few different combinations for that reason, but I thought this would be a good opportunity to wipe the slate clean. There were some side effects early on, but I think it was the right move.

Plans For Today

So, I’ve got three basic things on the docket for today. One is some miscellaneous administrivia/correspondence that I’ve been sitting on. Two is doing a Monday monster. Three is writing the draft for the next Tales of MU chapter.

If the money thing shakes itself loose (or I get enough in odd tips that the holds don’t matter), I will also be ducking out for a quick grocery shopping trip.

Home again, home again.

 

Well, I’m back.

Our trip to Nebraska for the 4th of July and the following week wound up happening in markedly different circumstances than it had been conceived. We’d been thinking it would be the last big function with my whole family for a good long while, so we wanted to allocate the time to do it up right. Things have changed to the point where this premise is no longer as likely to hold true, but it’s now markedly more likely to be the last one to happen in Nebraska.  We had less time with family than we would otherwise have liked, but more time to take in the sights of Omaha and its environs for what may be the last time.

But of course, any trip might be the last trip, regardless of larger circumstances. There was a recurring theme that bookended one recent year of Doctor Who in the holiday specials: every Christmas is last Christmas. Every gathering might be the last for someone. Even if we had plans to go back to Omaha next year or next week, it might not happen.

Life is full of unexpected things, good and bad. I honestly didn’t expect to be able to take my Maryland family back to see Nebraska as soon as I did or as often as I have since then. When we went for my sister’s wedding, I honestly thought that would be my one and only realistic chance to show Jack and Sarah around town. Now here we were, two years later, basically recreating that trip.

The other thing that changed was that when we planned this trip, I was basically treading water creatively and professionally. By the time it came around, it was inconveniently occupying the first week of month 2 of my personal renaissance. The fact that it came the week after I had a surprise viral hit on Medium was both blessing and curse… it stopped me from doing more to capitalize on that, but it also broke me out of the cycle I’d fallen into of refreshing page stats and link referrals and refreshing Twitter mentions to see what people were saying. It took some of the pressure of “Okay, now what’s your next act?”

Anyway.

Home now.

 

July’s short story is up.

Previously I had been posting my work here as well as Medium when it has no other home, but this one takes some tricky formatting that I can’t readily manage on my mobile set-up, so for now I am just linking to it.

I described “The Numbers Game” as a red pill horror story on Twitter. If you are unfamiliar with the phrase “the red pill” as used here, hopefully the in-story explanations and context will make it clear. And yes, it’s a real thing and all the terminology here is real.

The red pill is a subset of the general sphere that pick-up artists, MRAs, and Men Goint Their Own Way belong to, along with the core constiuency and thought leaders of groups like Gamergate. There is a lot of overlap among those groups in beliefs, terminology, and even membership, though occasionally you find a person who insists that two of the sub-groups are polar opposites.

http://medium.com/@alexandraerin/fiction-the-numbers-game-a11ce9242202

Well, vacation starts about now-ish.

We’re going to be leaving here in about an hour or two for a 4th of July/family get-together in Nebraska. My bag’s packed, we’ve got our house sitters situated. I have two chapters of Tales of MU and a short story for July written, so I can keep my MU schedule up for the week I’m away and have some content for my patrons for the week.

I’ll have my phone and tablet and possibly my laptop (still thinking about effort vs. reward calculations there), but I’ll also be 1) doing other things and 2) on vacation, so I expect my presence here and on the social mediums will be a bit slacker than they have been lately between now and next Monday.

Gonna Climb Up On My Hobby Horse Here

I was recently reminded of an old criticism I’ve heard of crowdfunding, old enough that it dates back to before the word “crowdfund” was coined. It takes different forms but usually goes something like, “If you have to ask people to fund you, it’s not a job, it’s a hobby.”

Well! This is an interesting notion to me. It strikes me first and foremost that it’s a bit backwards. If you can do something and not ask anyone to pay you for it, then what you have is in fact a hobby or avocation… something that demands little enough of you and/or gives you enough in return that it’s worth your time and energy regardless of whether you can make a living at it.

There are a lot of people who write as a hobby. They write in a journal for their own edification, or post it on a fanfic site or personal blog with no monetization elements. They never attempt to make a living at it. And that’s fine. I’m a great defender of those who doodle and scribble and sketch and color and paint because it pleases them to do so, of those who sing and dance and act with no thought as to how to make a career out of it, and those who write to please themselves. I think the world could do with more hobbyists, with more people who do things because they can do them, at whatever level they can do them.

On the other hand, there are people who write for a living. Some of them seek jobs with publications or studios, saying, “If you fund me on an ongoing basis, I will use my talents to write what you want.” Is that a hobby? No, it’s a career. Some of them write things and then shop them around to publishers and periodicals, saying, “If you fund my continued writing and retroactively fund the time I spent writing this, I will let you publish and sell this.” Is that a hobby? No, it’s a career. Some people (myself included, for many things I write) take their work and put it up for sale so that people who want to read it can buy it; this is asking them to fund its creation. Is that a hobby? Not necessarily.

I mean, there are people who are self-publishing on Amazon who are doing it at a level that would be more readily recognized as a hobby than a job, but there are levels and levels to all of these things, and there are people who do pursue traditional routes of publication at what we might call the hobby level, deliberately. They have a career or calling and don’t see any need to make a a career out of writing, but it’s nice to have the recognition?

So now we come to crowdfunding, whether it’s the Patreon style pledge in advance or the slightly older busker model of “I made a thing, if it pleases you, throw a little something in the tip jar.” Is there any reason this is necessarily more of a hobby and less of a job or career than the other models? No, none whatsoever. In its current form—that is, the form involving electronic money and globe-straddling information networks—it seems unfamiliar and new, but attracting the patronage of private individuals or collecting payment by pleasing the crowd are old and storied conventions for professional artists.

Was William Shakespeare a hobbyist, I suppose? He could not have written his plays while living on the coins the groundlings might one day throw at him for writing them, if he could only somehow stage them. He had to ask for funding from powerful and influential individuals who could pay for (and smooth over the sociopolitical complexities involving) his productions.

Or how about that well-known dilettante and all-around duffer, Michelangelo? Oh, he couldn’t hack it chiseling sculptures on spec, so he had to go ask the Pope for funding! Meanwhile, Leonardo was sniffing around the de’Medici tables, begging for scraps!

But that’s ancient history! Let’s talk about the lazy layabouts clogging up Broadway and Hollywood. Listen, if this Hamilton thing was so great, why couldn’t Lin-Manuel Miranda just start selling tickets and then use that money to put on the show? Why’d he need to find backers and investors?

Or those authors who get advances.

Now, I already know what the rebuttal to this line of inquiry would be: it’s different. It’s different to go to a Florentine noble or a venture capitalist or a Hollywood producer or the Vicar of Christ and get money from them. It’s not at all the same as going to members of the general public, to your audience directly, and try to do the same thing in a distributed fashion. Just like it’s different to put a price tag and a bar code on a product and put it on a store shelf vs. putting it up on the internet with a button that says “pay what you want”.

Except it’s really not that different.

There are all kinds of different models of commerce. There are all kinds of different models of transactions. Some of them are more familiar to us and thus, to some of us, more respectable. But at the end of the day, it’s all about this: if you produce something that has value, you are entitled to receive value in exchange for that. And there’s no wrong way to do that, so long as everybody involved is willing and their rights are being respected. You have to find what works for you.

Most writers I know are working another job, or living with a spouse or partner who is and who pays most of the bills. You ask the biggest name writers you can think of what their advice for writers is, and the common thread is going to be: find another way to pay the bills. Get married. Don’t quit your day job. Inherit money. Live in a country with an adequate social safety net. Stephen King. Tom Clancy. J.K. Rowling. The people who have absolutely won at writing will tell you that you never have a chance of getting to that point unless you’re willing and able to find some other way to pay the bills during the long years that you’re not there.

Now, listen. I’m not about to take potshots at other writers because the market is what it is and it’s tough, but if you see a crowdfunded author scrabbling and you think, “They should have done it the right way. This isn’t a job, it’s a hobby,” you have to be prepared to say that about the vast majority of authors and artists.

I know authors who have cracked the bestseller lists and won international awards who would “hobbyists” in the sense that they can’t yet make a reliable living writing. I know authors who are ahead of me in their career by every measure you can think of except one: my meager income is still more than they pull in a month from their writing.

It’s not just authors and artists who struggle. Think about the vast majority of entrepreneurs and small business owners and sole proprietors, when they’re first starting out.

I don’t know if this is still true, the market has changed so much, but when I was a kid it was common wisdom in the TV industry that a show only really became profitable after 100 episodes, which is about 5 seasons, because that’s when the syndication rights became worth something. Just think about that. For four seasons, Roseanne was somebody’s hobby. Four four seasons, Married With Children was the college drop-out living in its parents’ basement. For four seasons, M*A*S*H* was somebody’s overfunded vanity project.

The bottom line is that we all—those people I mentioned and everybody else who works for a living—are “asking for someone to fund us”, in one fashion or another. Doesn’t matter if you’re an author starting out or a highly paid professional businessperson in a highly paid professional business. You’re still “asking for funding” in every negotiation you make, and in every such negotiation, your ability to get it depends in large part on what you’re offering.

That’s why value for value is my watchword as a writer. I have value. You have value. We can exchange units of value and both come out ahead. I keep telling people, if you like what I write and you’re able, pledge me a dollar. It costs you nothing until the end of the month, and I’ll bet you by the time that comes around, you’ll think it’s worth it.